glass eye asshole latin american novel
Reliquary For One Note of Achilles' Song
untitled 1.09.3 (Ballad of Identity)
“Girl Singing: I carry Gilgamesh in my belly,”
No Sounds of My Own Making (Third Remix)
No Sounds of My Own Making (Second Remix)
No Sounds of My Own Making (First Remix)
Girl Singing (Wax Poetics Remix)
“in consequence, of affinity, through proximity” (Autopoiesis 2.11) (58th Birthday Poem)
“But how might one consider these works?” (Autopoiesis 2.10)
“Out of Office AutoReply …” (Autopoiesis 2.9)
“We deserve the warmth of baths” (Autopoiesis 2.8)
All I Do (Here) Is For The Sake Of My Memory ...
The Secret Life of an Angel: Girl Singing in a Word Cloud
wings, after the girl has sung
wings, for the immortal old man
Girl Singing (Weeping Guitar Remix)
Girl Singing Noh Words Necessary
The Secret Life of an Angel: Girl Singing in a Word Cloud
secret life of an angel, ‘holiday’
secret life of an angel, ‘blind stud’
secret life of an angel, ‘unplayed’
secret life of an angel, ‘unmade’
THE LIFE WHICH IS COVERT; ANGEL
Girl Singing (Latin Beat Angel Re-Remix)
THE SECRET LIFE OF AN ANGEL overdubbed 2
THE SECRET LIFE OF AN ANGEL overdubbed
Sudden colors and plain spices or is it Waking (Autopoiesis 2.7)
The Public Song of an Angel (Reverse Strip Hay(na)ku Remix)
Girl Singing (Latin Angel Eyes Remix)
Ang lihim na buhay ng isang anghel
girl singing after everyone has sung
“meaning small waves each” (Autopoiesis 2.5)
The Secret Life of an Angel (Korean Mecha Remix)
“Touch the porcelain Moon corn, sleep you off” (Autopoiesis 2.4)
The FASTENED ANGEL (after Eileen R Tabios’ anchored angel via Babel fish)
“Amor / is one word of two syllables …” (Autopoiesis 2.3)
Secret Life of Angelus Novus (Skinglyph View) (Tatt #2)
The Secred Lifeter of an Ungel
The barefaced death of the devil
Secret Life of Angelus Novus (Skinglyph/Twombly View) (Tatt #1)
400 Miles N Of Angeltown (An Autopoietic View)
Girl Singing (Textual Authority Beep Remix)
“Even though even” View of “Girl Singing”
Girl Singing (Wordle Cloud Remix)
Girl Singing (Fractal Geometry Remix)
Girl Singing (Portsmouth Angels Remix)
No-Hand Angel (In Memoriam Bruce Conner)
Here at the center of a void … (HTADL/SCACIEO transformation View of “Girl Singing” No. 2)
The Winter Of Shrieking Electric Guitars
(on a secret life of an angle (angle) – GIRL SING'T (TTA20)
Girl Singing (Memory Hay(na)ku Remix) (TTA20)
glut thicken dankness vat oligarch par
Girl Singing (Season of Mists Remix)
“a lofTness or arising a blue” View of “Girl Singing”
I See an Angel in a Loaf of Bread
Girl Singing (Angelus Novus Remix)
scou sisky pokes thaven old ming man my
Day. no lost the on. the thes old eve make
Day! he high Daylay. thes old for manno
from sist, hist. thas old for manno
“girl singing. day old man …” (TTA20)
Girl Singing (Deep Bass and Shaker Mix)
View of “Girl Singing” in Angel Hair Bosque Nocturnal
Two Hands Angel View of “Girl Singing”
satl nogwera dawcatu sap nee lit
Deuces Wild, Like An Only Child
THE SECRET LIFE OF AN AMBULATORY ANGEL BLINDING CHANCE (TTA29)
THE adjective n OF AN n (Heading Towards Homosyntaxis)
THE SECRET LIFE OF AN ANGEL (TTA29)
Mark Young version of Girl Singing
“opening line sums it up.....” (TTA20)
View of “Girl Singing” (TTA20 treated à la TTA2 and serving as TTA3)
That Covert Being Who is Seraph (TTA29)
Girl Singing Angel Song (TTA20)
View of “Girl Singing” (TTA20)
First View of “Girl Singing” (TTA4)
Autopoiesis CCI (“All the clouds can feel our bodies change …”)
Autopoiesis CC (“Everyone got lost …”) (Elegy For Gravity and Grace)
Autopoiesis CCIX (5 Sonnets - The Code Gods' Musical Offering)
Autopoiesis CXCVIII (“… a lot of erasure underneath the …”)
Autopoiesis CXCVII (“Thinking a lot about Rauschenberg's Erased de Kooning Drawing …”)
Autopoiesis CXCVI (“There’ / s a voice at / the bottom … …”)
Autopoiesis CXCV (“Robert Allen, The de- …”)
Autopoiesis CXCIV (Brutality No. 2) (“to be …”)
Autopoiesis CXCIII (“I’ll think of …”)
Autopoiesis CXCII (“I want to [un]bracket what I recognize … ”)
Autopoiesis CXCI (Recursive Plus, Set 2, No. 7) (“Set its pace, a working to ward … ”)
Autopoiesis CXC (“Yes, yes … but this is too uh, too much like … ”)
Autopoiesis CLXXXIX (“A meta-present … ”)
Autopoiesis CLXXXVIII (“We have l’ …”)
Autopoiesis CLXXXVII (“La danse à-gogo …”)
Autopoiesis CLXXXVI (“The sharp stars swing around …”)
Autopoiesis CLXXXV (Recursive Plus, Set 2 No. 6) (“!!!!!!!!!!!!! mingling with “ha”…”)
Autopoiesis CLXXXIV (“A lot of impossible mutation …”)
Autopoiesis CLXXXIII (Recursive Plus, Set 2 No. 5) (“And if so always …”)
Autopoiesis CLXXXI (Recursive Plus, Set 2 No. 4) (“Exploding momentous days …”)
Autopoiesis CLXXX (Recursive Plus, Set 2 No. 3) (“Light’s blood’s music’s itinual wheel …”)
Just Outside The Inside Passage (Alaska, 2008) - After Hiroshi Sugimoto
Autopoiesis CLXXIX (“In the godness or badnage of “ … o ,r …”)
Autopoiesis CLXXVIII (Infinity IV) (“I don’t know, of an ocean …”)
Autopoiesis CLXXVII (Infinity III) (“Uh …”)
Autopoiesis CLXXVI (Infinity II) (“Bear wakes …”)
Autopoiesis CLXXV (Infinity I) (“I am. We are. …”)
Autopoiesis CLXXIV (Recursive Plus, Set 2, No. 2) (“How many facts …”)
Autopoiesis CLXXII (“Hyte wanted my NOS to stop bleeding …”)
Autopoiesis CLXXI (“The ‘WHAT IS TO BE DONE’ is humming …”)
Autopoiesis CLXX (“O?. I them has by concluded interior, …”)
Autopoiesis CLXIX (“Fast uploads who want physical bodies …”)
Autopoiesis CLXVIII (“Your star a god of lead arrives …”)
Autopoiesis CLXVII (“Light copulates madly with the run of the sky …”)
Autopoiesis CLXVI (“… under a page of the telephone book …”)
Autopoiesis CLXV (“Caesura …”)
Autopoiesis CLXIV (“And you, above this growth and flux and ruin …”)
Autopoiesis CLXIII (““Ah! Dreams! — and their archaic remnants.” …”)
Autopoiesis CLXII (“Enjoy the coup / And I feel my way blindly …”)
Autopoiesis CLXI (“Ass Is Hot”)
Autopoiesis CLX (“Maybe since I first heard the Torah read aloud ...”)
Autopoiesis CLVIX (“Effervescent treetops …”)
Autopoiesis CLVIII (“Need my zzzzzs …”)
Autopoiesis CLVII (“One-of-a-kind, commissioned portrait …”)
Autopoiesis CLVI (“I don’t have to because …”)
Autopoiesis CLIV (“Soon the landfill …”)
Autopoiesis CLIII (“The year has …”)
Autopoiesis CLII (“Teenage amputees …”)
Autopoiesis CLI (“Aber haben ancient bahben …”)
Autopoiesis CL (“ … ( ) ( ) ( ) ( ) ( ) ( ) …”)
Autopoiesis CXLIX (“A, A Spectrum is both more and less junctive than it is …”)
Autopoiesis CXLVIII (““And the stone dancing …””)
Autopoiesis CXLVII (“Indeed, nothing is less animal than fiction … ”)
Autopoiesis CXLVI (“Chronic fabricate repugnant uh? … ”)
Autopoiesis CXLV (“The syncopated nurse arrives …”)
Autopoiesis CXLIV (“Rumor has it that Mr …”)
Autopoiesis CXLIII (“1. The cloud is green … “)
Autopoiesis (And Not Autopoiesis) CXLII (“… oh they cut down the bottlebrush …”)
Autopoiesis CXLI (“5 April 2008”)
Autopoiesis CXL (“I believe in believing in all things …”)
4 Songs From The School of Post-Avant Quietude
Autopoiesis CXXXIX (“All of us hermaphrodites …”)
Autopoiesis CXXXVIII (“When Walter Benjamin …”)
Autopoiesis CXXXVII (“Would you mind if I …”)
Autopoiesis CXXXVI (“Now we are of the belief …”)
Autopoiesis CXXXV (““MODEL” means me …”)
Autopoiesis CXXXIV (“Breathing — the / modernity …”)
Autopoiesis CXXXIII (“The Great Cosmic Mother turns around …”)
Autopoiesis CXXXII (“Enuma elish …”)
Autopoiesis CXXXI (“( ) ( ) ( ) …”)
Autopoiesis CXXX (“Dear Bob, it’s 5:15 a.m. (!) …”)
Autopoiesis CXXIX (“People are people, in some way, like a …”)
Autopoiesis (And Not Autopoiesis) CXXVIII (“Dreamt: In the last three hours of the day …”)
Autopoiesis CXXVII (“Nineteen thousand five hundred and ninety nine …”)
Autopoiesis CXXVI (“Parts of my body …”)
Autopoiesis CXXV (“Now playing, in a continuous loop: …”)
Autopoiesis CXXIV (Autopoiesis CXXI, Dance Remix, by DJ Omo Bob)
Autopoiesis CXXIII (“So I’m flying south …”)
Autopoiesis CXXII (“Anthropobubble. Noun. 1. “Island” of …”)
Autopoiesis CXXI (“As nature as fall of results …”)
Autopoiesis CXX (“When I put my hands on the body …”)
Autopoiesis CXIX: The Knife Must Do What The Knife Was Meant To Do
Autopoiesis CXVIII (““Images have their life …””)
Autopoiesis CXVII (“Strange, then, the anthropology …”)
Autopoiesis CXVI (“So / instead / the gods created …”)
Autopoiesis CXV (“Deepfried cheescake. …”)
Autopoiesis CXIV (“Llamas spit sonnets …”)
Autopoiesis CXIII (“What is the meaning of this minor error? …”)
Autopoiesis CXII (“Be of kind bewilderment …”)
Autopoiesis CXI (“We were eating lemon chicken …”)
Autopoiesis CX (“Everything follows from this principle: …”)
Autopoiesis CIX (“Will meaning suffice?” …)
Autopoiesis CVIII (“Having never seen a cluster bomb …”)
Autopoiesis CVII (“Then the train came …”)
Autopoiesis CVI (“Hearts throbbed in the trees …”)
Autopoiesis CV (““A squid eating dough in a polyethylene bag …””)
Autopoiesis CIV (“Yes, yes … but this is too uh …”)
Autopoiesis CIII (“Several words seem to form mysteriously meaningful phrases …”)
Autopoiesis CII (“We played ontology …”)
Autopoiesis CI (“ / in the middle of a lost road …”)
Autopoiesis (And Not Autopoiesis) C (“Sun hides dark star-speckled air …”)
Autopoiesis and Not Autopoiesis XCIX (“The waning day …”)
Autopoiesis XCVII (“A lot of nakedness around here …”)
Autopoiesis XCVI (“Surprise-desire-light-ongoing …”)
Autopoiesis XCV (“Add 4” to your penis …”)
Autopoiesis (And Not Autopoiesis) XCIV
Autopoiesis XCIII (“Exploding worlds into each other …”)
Autopoiesis XCII (“If there’s a footnote to absence …”)
Autopoiesis XCI (“Sun buried in the sea …”)
Autopoiesis XC (“In the godness or badnage of time …”)
Autopoiesis LXXXIX (“Sincerity! …”)
Autopoiesis LXXXVIII (“Listen Jacques it’s quite important …”)
Autopoiesis LXXXVII (“Sex is the silent other …”)
Autopoiesis LXXXVI (“I wanted my nose to stop bleeding …”)
Autopoiesis LXXXV (“The light lines are humming …”)
Autopoiesis LXXXIV (“I’m covered in whatever …”)
Autopoiesis LXXXIII (“The sun rose like a little flower …”)
Autopoiesis LXXXI (“Friday an envelope arrives …”)
Autopoiesis LXXX (Oku-No-Hosomichi, “Sidewalk Loops Through The Conurbation”; For Rupert Loydell)
Autopoiesis LXXXVIII (Collaboration With Sam)
Autopoiesis LXXVII (For Michelle Al Tony Eileen And Jean In Gratitude)
Autopoiesis LXXVI (A Little White Magic For Ginger)
Autopoiesis LXXIV (Recursive Plus, No. 5)
Autopoiesis LXXIII (Recursive Plus, No. 4) (57th Birthday Poem Or Poems)
Autopoiesis LXXII (Recursive Plus, No. 3)
Autopoiesis LXX (Recursive Plus, No. 2)
Autopoiesis LXIX (Recursive Plus, No. 1)
A True Account Of Talking To The Sun Again, This Time In Pasadena (Buren 3)
Daniel Buren, “A Colored Square in the Sky”, One Pasadena
Autopoiesis LXVIII (Blue Studio Cento)
Autopoiesis LXVII (Cento For Steve Mitchell, Still “Chipping Up Rocks On The Great High Way”)
Autopoiesis LXV (The DG Compression Remix)
Autopoiesis LXIII (A Rehearsal; For Alan Baker)
Autopoiesis LXI (For Kathy and Omo Bob)
Autopoiesis LX (After A Week Of Waking To Amy Goodman)
One Sky No. ??? (After Stephen Shore)
Homage To Sam Bloomberg-Rissman's skyline
Autopoiesis (And Not Autopoiesis) LVII
Autopoiesis LVI (Unpsalm, Us-Balm, i. m. Bill Griffiths)
After Hiroshi Sugimoto (For Omo Bob, And For Sam)
Autopoiesis LII (Sonnets, Set 2, No. 24)
Autopoiesis L (Sonnets, Set 2, No. 22)
Autopoiesis XLVIII (For Ginger And Horacio)
Autopoiesis XLVII (Sonnets, Set 2, No. 21)
Autopoiesis XLV (Sonnets, Set 2, No. 20) (For K)
Autopoiesis XLIV (Sonnets, Set 2, No. 19)
Autopoiesis XLIII (Sonnets, Set 2, No. 18)
Autopoiesis XLII (Sonnets, Set 2, No. 17)
Autopoiesis XLI (Sonnets, Set 2, No. 16)
Autopoiesis XL (Sonnets, Set 2, No. 15)
Autopoiesis XXXIX (Is It Me, For A Moment?)
Autopoiesis XXXVIII (Sonnets, Set 2, No. 14)
Autopoiesis XXXVII (Sonnets, Set 2, No. 13)
Autopoiesis XXXVI (Sonnets, Set 2, No. 12)
Autopoiesis XXXV (Sonnets, Set 2, No. 11)
Autopoiesis XXXIV (Wednesday Morning Singing)
Autopoiesis XXXIII (Sonnets, Set 2, No. 10)
8 I Mean 9 Things About Me (In Response to Ernesto’s Tag)
Autopoiesis XXXII (Sonnets, Set 2, No. 9)
“And the money flowed like blood …” (Poem For The 4th Of July)
Autopoiesis XXXI (Sonnets, Set 2, No. 8) (A Weather/Traffic Report For Beth Sibley)
Autopoiesis XXX (Sonnets, Set 2, No. 7)
Autopoiesis XXIX (Sonnets, Set 2, No. 6)
Autopoiesis XXVII (For mi familia at never neutral)
Autopoiesis XXVI (Sonnets, Set 2, No. 5)
Basal Cell Carcinoma - 98% Chance
Autopoiesis XXIV (Sonnets, Set 2, No. 4) (Lebanon)
Autopoiesis XXIII (Sonnets, Set 2, No. 3)
Autopoiesis XXII (Sonnets, Set 2, No. 2)
Autopoiesis XXI (Sonnets, Set 2, No. 1)
After Hokusai (For Alan Baker)
Autopoiesis X (For Sam, Midair)
Autopoiesis IX (For Eileen, Ivy and Ernesto)
Untitled Number What (There Is Nothing Metaphysical About This Poem)
Fish Tatt (For Ernesto) (Autopoiesis, No Number)
After Waiting In The Waiting Room
Chant For The Dead (Autopoiesis And Not Autopoiesis)
Zombie (Found Poem, Hommage à Tom Beckett)
Transparence II (For Shin Yu Pai) (Autopoiesis -1)
Embodied Communication Area (Autopoiesis -3)
Title Without A Poem (1st Day Of Spring)
Impossible Book III (For Ernesto)
A Faithless Translation Of Eileen R Tabios's "ÂÂAurora"
The Enso II (For Beth and Chuck and Inso)
Pixy (Found Poem, i.m. Jean Baudrillard)
Clear Sky Bright Sun Snow On The Mountains Driving To Work Listening To George Crumb
Haiku (After Gwido Zlatkes, To Whom This Is Dedicated In Homage)
Chair Piece (As Performed 17 February 2007)
"ÂÂWhen I Get My Ukulele"ÂÂ (For Bob)
Variation on A STONE (For Alan Baker)
The Absolute Speaks (For Gwido Zlatkes)
"Something Real Authentic"ÂÂ (For Beth Sibley)
Twenty-First Marcos López Light Poem
Twentieth Marcos López Light Poem
Nineteenth Marcos López Light Poem (Take Three: âÂÂEthics Is An OpticsâÂÂ)
Nineteenth Marcos López Light Poem (Take Two)
Nineteenth Marcos López Light Poem
Eighteenth Marcos López Light Poem
Seventeenth Marcos López Light Poem
Sixteenth Marcos López Light Poem
Ars Poetica (i.m. LC, 7 January 2007 - 7 January 2007)
Fifteenth Marcos López Light Poem
Fourteenth Marcos López Light Poem
1 January 2007 (7:49 In The Morning)
Thirteenth Marcos López Light Poem (Light Mix)
Thirteenth Marcos López Light Poem
Twelfth Marcos López Light Poem
Eleventh Marcos López Light Poem
Tenth Marcos López Light Poem
Ninth Marcos López Light Poem
Eighth Marcos López Light Poem
Seventh Marcos López Light Poem
Sixth Marcos López Light Poem
Fifth Marcos López Light Poem
Fourth Marcos López Light Poem
Third Marcos López Light Poem
Second Marcos López Light Poem
First Marcos López Light Poem (For Sam)
No Sounds III No. 28 (For Rose)
No Sounds III No. 23 (For Alan Baker)
Third Buried Intermezzo (Spain)
No Sounds III Nos. 8-15 (Spain)
Questions For Eileen (No Sounds II No. 28.5)
The No Sounds Of My Own Making Thank You For The Title Omo Bob Poem No. 1
After Further Listening (Again For Omo Bob)
Forty-Second Hay(na)ku (For Steve Mitchell)
Another Tête (Jean Fautrier, 1945)
Tête dâotage no. 23 (Jean Fautrier, 1945) (Ceasefire) (Eleventh Hay(na)ku (Slight Return))
Tête dâotage no. 20 (Jean Fautrier, 1944)
Tête dâotage no. 2 (Mazen Kerbaj, 2006)
Tête dâotage no. 18 (Jean Fautrier, 1945) (César Runs The Voodoo Down)
Tête dâotage (Mazen Kerbaj, 2006)
Tête dâotage (Jean Fautrier, 1944)
Tête dâotage no. 1 (Jean Fautrier, 1943)
Otages (Jean Fautrier, 1943-1945)
Twenty-Fifth Hay(na)ku (Two Further Quibbles With Ernesto Priego)
The First Day Of Good Medicine
Twenty-Second Hay(na)ku (For Jean)
First Station (Barnett Newman, 1958) (For Françoise)
Red and Pink (Sam Francis, 1951)
Untitled (Richard Diebenkorn, 1951)
Last Postcard; Or, The Prisoner, Part III; Or, Some Colons For Eileen R. Tabios
Tenth Hay(na)ku (A Response To Ernesto Priego'ÂÂs "ÂÂIt's / always like / this: ⦠")
His Wife Found His Body; Or, The Prisoner, Part II; Or, For Eileen R. Tabios
Translate This (More-Or-Less Homophonic Hay(na)ku For Ann Frenkel)
Friday An Envelope Arrived, Sand
Per EileenâÂÂs Suggestion I Did
Beginning With Lines By A K Ramanujan (For Liora)
Crissy Field, Shorebirds Standing In
Coming Out Of The Plot (Beginning With A Phrase By Ian Seed)
I Was Meditating In My (For K)
And Because I DonâÂÂt Know (Poem Beginning And Ending With Lines By Eileen R. Tabios)
Little Rain That Never, Garbage
Flicker III (Poem Beginning With A Line By Barbara Guest)
Anti-War Poem (After Ted Berrigan)
O Wilson Pickett, Mustang Sally
Three Faithless Versions Of Poems By Miriam Van hee
"ÂÂSeven thirty / To ten"ÂÂ
Héctor Rojas Herazo Variations
After Héctor Rojas Herazoâs "Eso que está ahÃ, respirando"
"going into, or falling out of, / the clouds"
South On The River: A Suite Of Poems From Old Sung-Ting
Language Is A Game With Two Players
Find Us On A Map ("ÂÂEveryone Doing Everything")
For All Your Real Estate Needs
Upside-Down Again (The Sonnets)
The Noise I Make Will Never Pass For Laughter
Tynnichus of Chalcis' One Good Song
From Nat. Lib. Nadorp MS. G.anj.13
"ÂÂFog in the bottom," said Avrum, sagely
"ÂÂWhy Don't You All Look Each Other In The Face"
"The Long Bright Days Of The Short Summer"
I Was Working On B: "That isn't that / is"
"Totally Entirely Quite Completely Not At All"
The Best Used Bookstore In Achterdijk
"We Are Flying At An Altitude Of 39,000 Feet"ÂÂ
The Painted Cave Of Iles Des Sourds
Hot Nights In The Tropides (Or, Red Palm Oil Does The Trick)
On The Train From Adelshoeve To Achterdijk
Bastille Day In A Former Colony Of The Royaume De Calude
"One pill the color of a flower"ÂÂ
Further Adventures In Insomnia
The Moon Fears The Candlesticks
It Doesn't Matter What I Say: Two Spanish Poems
John, How perfectly elegant! I have sent your website link to Sasha West, my step daughter who is now managing editor of Gulf Coast Magazine.
She is a strong writer. I hope she likes your work, too.
Posted by: Martin Kim | 11.07.2005 at 04:07 PM